The Arts and Computational Culture: A landscape view

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The Arts and Computational Culture: A landscape view

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Author(s): Jonathan P. Bowen , Tula Giannini

Publication date (Print): July 2023

Conference name: Proceedings of EVA London 2023 (EVA 2023)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 10–14 July 2023

Keywords: Artificial Intelligence, The arts, Augmented Reality, Computational culture, Digital culture, Metaverse, Virtual Reality

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Jonathan P. Bowen: http://www.jpbowen.coms

Tula Giannini: http://sites.google.com/view/tgiannini

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Publication date: July 2023

Publication date (Print): July 2023

Pages: 8-14

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[0001]London South Bank University

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London, UK

[0002]Pratt Institute

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New York, USA

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DOI: 10.14236/ewic/EVA2023.2

SO-VID: f890d262-56cf-42d5-b929-fab1f5273eb8

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2023

Conference acronym: EVA 2023

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Conference location: London

Conference date: 10–14 July 2023

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.2

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Baidu (2022) A digital human could be your next favorite celebrity—or financial advisor. MIT Technology Review, 21 July 2022. URL: https://www.technologyreview.com/2022/07/21/1056335/
S. Boiano, A. Borda, J. P. Bowen, G. Gaia, and T. Giannini (2022) Vignettes of Computer-based Museum Interactive and Games Software through the Years. In Weinel Bowen, et al. (2022), pp. 158–166. DOI: 10.14236/ewic/EVA2022.30.
J. P. Bowen and T. Giannini (2015) Galois Connections: Mathematics, art, and archives. In K. Ng, J. P. Bowen, and N. Lambert (eds.), EVA London 2015: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 176–183. DOI: 10.14236/ewic/EVA2015.18.
J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: 10.14236/ewic/EVA2021.3.
J. P. Bowen, T. Giannini, R. Ara, A. Lomas, and J. Siefring (2019) Digital Art, Culture and Heritage: New constructs and consciousness. In J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing), pp. 1–9. DOI: 10.14236/ewic/EVA2019.1.
J. P. Bowen, T. Giannini, R. Falconer, M. T. Magruder, and E. Marconi (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In Weinelet al. (2021), pp. 7–11. DOI: 10.14236/ewic/EVA2020.2.
J. P. Bowen, T. Giannini, and G. Polmeer (2017) Coded communication: Digital senses and aesthetics, merging art and life. In J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 1–8. DOI: 10.14236/ewic/EVA2017.1.
J. P. Bowen, T. Giannini, G. Polmeer, R. Falconer, A. I. Miller, and S. Dunn (2020) Computational Culture and AI: Challenging human identity and curatorial practice. In J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing), pp. 1–7. DOI: 10.14236/ewic/EVA2020.1.
J. P. Bowen, T. Giannini, G. Polmeer, C. Gannis, J. Gardiner, J. Kearney, B. Wands, and J. Weinel (2018) States of Being: Art and identity in digital space and time. In J. P. Bowen, J. Weinel, G. Diprose, and N. Lambert (eds.), EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 1–7. DOI: 10.14236/ewic/EVA2018.1.
J. P. Bowen, J. Weinel, A. Borda, and G. Diprose (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0.
E. Cetinic and J. She (2022) Understanding and Creating Art with AI: Review and Outlook. ACM Transactions on Multimedia Computing, Communications, and Applications, 18(2):1–22, May 2022. DOI: 10.1145/3475799.
B. Davis (2021) Can a Talking Rousseau Save Facebook? Art News, 8 November. URL: https://news.artnet.com/opinion/metaverse-art-gold-cas-munger-le-corbusier-2031306
S. Frenkel, M. Isaac, and R. Mac (2022) How Facebook is Morphing into Meta. The New York Times, 31 January 2022. URL: https://www.nytimes.com/2022/01/31/technology/facebook-meta-change.html
T. Giannini and J. P. Bowen (2016) Curating digital life and culture: Art and information. In J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 237–244. DOI: 10.14236/ewic/EVA2016.46.
T. Giannini and J. P. Bowen (2017) Life in code and digits: When Shannon met Turing. In J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 51–58. DOI: 10.14236/ewic/EVA2017.9.
T. Giannini and J. P. Bowen (2018) Of museums and digital culture: A landscape view. In J. P. Bowen, J. Weinel, G. Diprose, and N. Lambert (eds.), EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 172–179. DOI: 10.14236/ewic/EVA2018.34.
T. Giannini and J. P. Bowen (eds.) (2019a) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6.
T. Giannini and J. P. Bowen (2019b) Digital culture. In Giannini & Bowen (eds.) (2019a), chapter 1, pp. 3–26. DOI: 10.1007/978-3-319-97457-6_1.
T. Giannini and J. P. Bowen (2021a) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567.
T. Giannini and J. P. Bowen (2021b) The Digital Renaissance from Leonardo da Vinci to Alan Turing [O Renascimento Digital de Leonardo da Vinci a Alan Turing]. Museologia & Interdisciplinaridade, 10. URL: https://periodicos.unb.br/index.php/museologia/article/download/37241/31901/120152
T. Giannini and J. P. Bowen (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: 10.3390/heritage5010011.
T. Giannini and J. P. Bowen (2022b) Digital Experience in Art and Identity: The Metaverse calls. In V. Cappellini (ed.), EVA 2022 Florence Proceedings, pp. 24–31. Leonardo Libri. DOI: 10.31235/osf.io/6y4vd.
T. Giannini and J. P. Bowen (2022c) More than Human: Merging real and virtual states of being from arts and culture to wellness in a post-Covid world. In Weinel Bowen, et al. (2022), pp. 119–126. DOI: 10.14236/ewic/EVA2022.24.
T. Giannini and J. P. Bowen (2022d) Computational Culture: Transforming Archives Practice and Education for a Post-Covid World. ACM Journal on Computing and Cultural Heritage, 15 (3):1–18. DOI: 10.1145/3493342.
T. Giannini and J. P. Bowen (2023a) Global Cultural Conflict and Digital Identity: Transforming Museums. Heritage, 6(2):1986–2005. DOI: 10.3390/heritage6020107.
T. Giannini and J. P. Bowen (2023b) Generative Art and Computational Imagination: Integrating poetry and art. In this volume.
T. Giannini, J. P. Bowen, C. Michaels, and C. H. Smith (2022) Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse. In Weinel Bowen, et al. (2022), pp. 1–7. DOI: 10.14236/ewic/EVA2022.1.
J. Murray, I. Bogost, M. Mateas, and M. Nitsche (2006) Game design education: Integrating computation and culture. IEEE Computer, 39(6):43–51, June 2006. DOI: 10.1109/MC.2006.195.
J. Weinel, J. P. Bowen, A. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2021.0.

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[1] Baidu (2022) A digital human could be your next favorite celebrity—or financial advisor. MIT Technology Review, 21 July 2022. URL: https://www.technologyreview.com/2022/07/21/1056335/

[2] S. Boiano, A. Borda, J. P. Bowen, G. Gaia, and T. Giannini (2022) Vignettes of Computer-based Museum Interactive and Games Software through the Years. In Weinel Bowen, et al. (2022), pp. 158–166. DOI: 10.14236/ewic/EVA2022.30.

[3] J. P. Bowen and T. Giannini (2015) Galois Connections: Mathematics, art, and archives. In K. Ng, J. P. Bowen, and N. Lambert (eds.), EVA London 2015: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 176–183. DOI: 10.14236/ewic/EVA2015.18.

[4] J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: 10.14236/ewic/EVA2021.3.

[5] J. P. Bowen, T. Giannini, R. Ara, A. Lomas, and J. Siefring (2019) Digital Art, Culture and Heritage: New constructs and consciousness. In J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing), pp. 1–9. DOI: 10.14236/ewic/EVA2019.1.

[6] J. P. Bowen, T. Giannini, R. Falconer, M. T. Magruder, and E. Marconi (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In Weinelet al. (2021), pp. 7–11. DOI: 10.14236/ewic/EVA2020.2.

[7] J. P. Bowen, T. Giannini, and G. Polmeer (2017) Coded communication: Digital senses and aesthetics, merging art and life. In J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 1–8. DOI: 10.14236/ewic/EVA2017.1.

[8] J. P. Bowen, T. Giannini, G. Polmeer, R. Falconer, A. I. Miller, and S. Dunn (2020) Computational Culture and AI: Challenging human identity and curatorial practice. In J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing), pp. 1–7. DOI: 10.14236/ewic/EVA2020.1.

[9] J. P. Bowen, T. Giannini, G. Polmeer, C. Gannis, J. Gardiner, J. Kearney, B. Wands, and J. Weinel (2018) States of Being: Art and identity in digital space and time. In J. P. Bowen, J. Weinel, G. Diprose, and N. Lambert (eds.), EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 1–7. DOI: 10.14236/ewic/EVA2018.1.

[10] J. P. Bowen, J. Weinel, A. Borda, and G. Diprose (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0.

[11] E. Cetinic and J. She (2022) Understanding and Creating Art with AI: Review and Outlook. ACM Transactions on Multimedia Computing, Communications, and Applications, 18(2):1–22, May 2022. DOI: 10.1145/3475799.

[12] B. Davis (2021) Can a Talking Rousseau Save Facebook? Art News, 8 November. URL: https://news.artnet.com/opinion/metaverse-art-gold-cas-munger-le-corbusier-2031306

[13] S. Frenkel, M. Isaac, and R. Mac (2022) How Facebook is Morphing into Meta. The New York Times, 31 January 2022. URL: https://www.nytimes.com/2022/01/31/technology/facebook-meta-change.html

[14] T. Giannini and J. P. Bowen (2016) Curating digital life and culture: Art and information. In J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 237–244. DOI: 10.14236/ewic/EVA2016.46.

[15] T. Giannini and J. P. Bowen (2017) Life in code and digits: When Shannon met Turing. In J. P. Bowen, G. Diprose, and N. Lambert (eds.), EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 51–58. DOI: 10.14236/ewic/EVA2017.9.

[16] T. Giannini and J. P. Bowen (2018) Of museums and digital culture: A landscape view. In J. P. Bowen, J. Weinel, G. Diprose, and N. Lambert (eds.), EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 172–179. DOI: 10.14236/ewic/EVA2018.34.

[17] T. Giannini and J. P. Bowen (eds.) (2019a) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6.

[18] T. Giannini and J. P. Bowen (2019b) Digital culture. In Giannini & Bowen (eds.) (2019a), chapter 1, pp. 3–26. DOI: 10.1007/978-3-319-97457-6_1.

[19] T. Giannini and J. P. Bowen (2021a) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567.

[20] T. Giannini and J. P. Bowen (2021b) The Digital Renaissance from Leonardo da Vinci to Alan Turing [O Renascimento Digital de Leonardo da Vinci a Alan Turing]. Museologia & Interdisciplinaridade, 10. URL: https://periodicos.unb.br/index.php/museologia/article/download/37241/31901/120152

[21] T. Giannini and J. P. Bowen (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: 10.3390/heritage5010011.

[22] T. Giannini and J. P. Bowen (2022b) Digital Experience in Art and Identity: The Metaverse calls. In V. Cappellini (ed.), EVA 2022 Florence Proceedings, pp. 24–31. Leonardo Libri. DOI: 10.31235/osf.io/6y4vd.

[23] T. Giannini and J. P. Bowen (2022c) More than Human: Merging real and virtual states of being from arts and culture to wellness in a post-Covid world. In Weinel Bowen, et al. (2022), pp. 119–126. DOI: 10.14236/ewic/EVA2022.24.

[24] T. Giannini and J. P. Bowen (2022d) Computational Culture: Transforming Archives Practice and Education for a Post-Covid World. ACM Journal on Computing and Cultural Heritage, 15 (3):1–18. DOI: 10.1145/3493342.

[25] T. Giannini and J. P. Bowen (2023a) Global Cultural Conflict and Digital Identity: Transforming Museums. Heritage, 6(2):1986–2005. DOI: 10.3390/heritage6020107.

[26] T. Giannini and J. P. Bowen (2023b) Generative Art and Computational Imagination: Integrating poetry and art. In this volume.

[27] T. Giannini, J. P. Bowen, C. Michaels, and C. H. Smith (2022) Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse. In Weinel Bowen, et al. (2022), pp. 1–7. DOI: 10.14236/ewic/EVA2022.1.

[28] J. Murray, I. Bogost, M. Mateas, and M. Nitsche (2006) Game design education: Integrating computation and culture. IEEE Computer, 39(6):43–51, June 2006. DOI: 10.1109/MC.2006.195.

[29] J. Weinel, J. P. Bowen, A. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2021.0.

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The Arts and Computational Culture: A landscape view

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