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Author(s): Jonathan P. Bowen , Tula Giannini , Terrence Masson , Giuliano Gaia , Graham Diprose

Publication date (Print): July 2023

Conference name: Proceedings of EVA London 2023 (EVA 2023)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 10–14 July 2023

Keywords: Artificial Intelligence, Computational culture, Digital art, Metaverse, Photography, The arts, Visual arts

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Abstract

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Author and article information

Contributors

Jonathan P. Bowen: http://www.jpbowen.com

Tula Giannini: http://sites.google.com/view/tgiannini

Terrence Masson: https://www.terrencemasson.com

Giuliano Gaia: https://www.invisiblestudio.net/founders

Graham Diprose: https://linkedin.com/in/graham-diprose-a047004

Conference

Publication date: July 2023

Publication date (Print): July 2023

Pages: 1-7

Affiliations

[0001]London South Bank University

School of Engineering

London, UK

[0002]Pratt Institute

School of Information

New York, USA

[0003]School of Visual Arts

New York, USA

[0004]InvisibleStudio

Milan, Italy

[0005]Independent, UK

Article

DOI: 10.14236/ewic/EVA2023.1

SO-VID: f9649925-685f-4186-b36c-d1b6620780d9

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2023

Conference acronym: EVA 2023

Conference number:

Conference location: London

Conference date: 10–14 July 2023

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.1

Self URI (journal page): https://ewic.bcs.org/

BIBLIOGRAPHY

S. Boiano, A. Borda, J. P. Bowen, G. Gaia, and T. Giannini (2022) Vignettes of Computer-based Museum Interactive and Games Software through the Years. In Bowenet al. (2022), pp. 158–166. DOI: 10.14236/ewic/EVA2022.30.
S. Boiano, A. Borda, and G. Gaia (2019) Participatory Innovation and Prototyping in the Cultural Section: A case study. In Weinelet al. (2019), pp. 18–26. DOI: 10.14236/ewic/EVA2019.3.
S. Boiano, A. Borda, G. Gaia, S. Rossi, and P. Cuomo (2018) Chatbots and New Audience Opportunities for Museums and Heritage Organisations. In Bowenet al. (2018), pp. 164–171. DOI: 10.14236/ewic/EVA2018.33.
S. Boiano, J. P. Bowen, and G. Gaia (2012) Usability, Design and Content Issues of Mobile Apps for Cultural Heritage Promotion: The Malta culture guide experience. In S. Dunn, J. P. Bowen & K. Ng (eds.), EVA London 2012: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 66–73. DOI: 10.14236/ewic/EVA2012.12.
J. P. Bowen (2020) A personal view of EVA London: Past, present, future. In Weinelet al. (2020), pp. 8–15. DOI: 10.14236/ewic/EVA2020.2.
J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2016) EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2016.0.
J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2017) EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2017.0.
J. P. Bowen and T. Giannini (2014) Digitalism: The new realism? In K. Ng, J. P. Bowen & S. McDaid (eds.), EVA London 2014: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 324–331. DOI: 10.14236/ewic/EVA2014.76.
J. P. Bowen and T. Giannini (2016) From analogue to digital in literature and art. In Bowenet al. (2016), pp. 1–4. DOI: 10.14236/ewic/EVA2016.1.
J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: 10.14236/ewic/EVA2021.3.
J. P. Bowen and T. Giannini (2023) The Arts and Computational Culture: A landscape view. In this volume.
J. P. Bowen, T. Giannini, R. Ara, A. Lomas, and J. Siefring (2019) Computational Culture and AI: Challenging human identity and curatorial practice. In Weinelet al. (2019), pp. 1–9. DOI: 10.14236/ewic/EVA2019.1.
J. P. Bowen, T. Giannini, R. Falconer, M. T. Magruder, and E. Marconi (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In Weinelet al. (2021), pp. 7–11. DOI: 10.14236/ewic/EVA2021.2.
J. P. Bowen, T. Giannini, and G. Polmeer (2017) Coded communication: Digital senses and aesthetics, merging art and life. In Bowenet al. (2017), pp. 1–8. DOI: 10.14236/ewic/EVA2017.1.
J. P. Bowen, T. Giannini, G. Polmeer, R. Falconer, A. I. Miller, and S. Dunn (2020) States of Begin: Art and identity in digital space and time. In Weinelet al. (2020), pp. 1–7. DOI: 10.14236/ewic/EVA2020.1.
J. P. Bowen, T. Giannini, G. Polmeer, C. Gannis, J. Gardiner, J. Kearney, B. Wands, and J. Weinel (2018) States of Begin: Art and identity in digital space and time. In Bowenet al. (2018), pp. 1–7. DOI: 10.14236/ewic/EVA2018.1.
J. P. Bowen, J. Weinel, A. Borda, and G. Diprose (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0.
J. P. Bowen, J. Weinel, G. Diprose, and N. Lambert (eds.) (2018) EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2018.0.
G. Diprose, C. Craig, and M. Seaborne (2009) London's Changing Riverscape: Panoramas from London Bridge to Greenwich. Frances Lincoln, London.
G. Diprose, M. George, and R. Darwall-Smith (2018) An Alternative Meth of Very Long-term Conservation of Digital Images and their Historical Context for The Archive, University College, Oxford. In Bowenet al. (2018), pp. 48–55. DOI: 10.14236/ewic/EVA2018.10.
G. Diprose and J. Robins (2007a) The River Thames Revisited: In the Footsteps of Henry Taunt. Frances Lincoln, London.
G. Diprose and J. Robins (2007b) ‣in the footsteps of Henry Taunt, 2007–2012. URL: http://henrytaunt.com/exhibition.htm
G. Diprose and M. Seaborne (2011) An alternative approach to conserving digital images into the 23rd century. In J. P. Bowen, S. Dunn & K. Ng (eds.), EVA London 2011: Electronic Visualisation and the Arts, UK, 6–8 July, pp. 132–138. Electronic Workshops in Computing, BCS. DOI: 10.14236/ewic/EVA2011.25.
G. Diprose and M. Seaborne (2013) Back to paper? An alternative approach to conserving digital images into the twenty-third century. In J. P. Bowen, S. Keene & K. Ng (eds.), Electronic Visualisation in Arts and Culture, pp 57–72. Springer Series on Cultural Computing. DOI: 10.1007/978-1-4471-5406-8_5.
G. Diprose and M. Seaborne (2015) The Artefact as a Time Machine. In Electronic Visualisation and the Arts (EVA 2015) Berlin, Germany, 6 November.
G. Diprose and A. Toyas (2019) A 21st Century ‘Victorian’ Family Album. In Weinelet al. (2019), pp. 73–79. DOI: 10.14236/ewic/EVA2019.16.
Economic Times (2023) Visual ChatGPT: Here's all you need to know about it. The Economic Times, News, 26 March. URL: https://economictimes.indiatimes.com/news/international/us/visual-chatgpt-heres-all-you-need-to-know-about-it/articleshow/99015286.cms
M. Fischer (2010) Article Review: Creating Long-Lasting Inkjet Prints. Confluence, Rochester Institute of Technology USA. URL: https://wiki.rit.edu/pages/viewpage.action?pageId=40047061
G. Gaia, S. Boiano, and A. Borda (2019) Engaging museums with AI: The case of chatbots. In Giannini & Bowen (eds.) (2019), chapter 15, pp. 309–329. DOI: 10.1007/978-3-319-97457-6_15.
G. Gaia, S. Boiano, J. P. Bowen, and A. Borda (2020) Museum Websites of the First Wave: The rise of the virtual museum. In Weinelet al. (2020), pp. 24–31. DOI: 10.14236/ewic/EVA2020.4.
T. Giannini and J. P. Bowen (2016) Curating digital life and culture: Art and information. In Bowenet al. (2016), pp. 237–244. DOI: 10.14236/ewic/EVA2016.46.
T. Giannini and J. P. Bowen (2018) Of museums and digital culture: A landscape view. In Bowenet al. (2018), pp. 172–179. DOI: 10.14236/ewic/EVA2018.34.
T. Giannini and J. P. Bowen (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6.
T. Giannini and J. P. Bowen (2019a) Digital culture. In Giannini & Bowen (eds.) (2019), chapter 1, pp. 3–26. DOI: 10.1007/978-3-319-97457-6_1.
T. Giannini and J. P. Bowen (2019b) Museums and digitalism. In Giannini & Bowen (eds.) (2019), chapter 2, pp. 27–46. DOI: 10.1007/978-3-319-97457-6_2.
T. Giannini and J. P. Bowen (2021) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567.
T. Giannini and J. P. Bowen (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: 10.3390/heritage5010011.
T. Giannini and J. P. Bowen (2022b) Digital Experience in Art and Identity: The Metaverse calls. In V. Cappellini, Electronic Imaging & the Visual Arts: EVA 2022 Florence, pp. 24–31. Leonardo Libri. DOI: 110.31235/osf.io/6y4vd.
T. Giannini and J. P. Bowen (2022c) More than Human: Merging real and virtual states of being from arts and culture to wellness in a post-Covid world. In Bowenet al. (2022), pp. 119–126. DOI: 10.14236/ewic/EVA2022.24.
T. Giannini and J. P. Bowen (2022d) Computa-tional Culture: Transforming archives practice and education for a post-Covid world. ACM Journal on Computing and Cultural Heritage, 15. DOI: 10.1145/3493342.
T. Giannini and J. P. Bowen (2023) Global Cultural Conflict and Digital Identity: Transforming museums. Heritage, 6(2):1986–2005. DOI: 10.3390/heritage6020107.
T. Giannini and J. P. Bowen (2023) Generative Art and Computational Imagination: Integrating poetry and art. In this volume.
T. Giannini, J. P. Bowen, C. Michaels, and C. H. Smith (2022) Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse. In Bowenet al. (2022), pp. 1–7. DOI: 10.14236/ewic/EVA2022.1.
Image Permanence Institute (2016) Acetate Film Base Deterioration-The Vinegar Syndrome. Rochester Institute of Technology, New York. URL: https://lenasalina.files.wordpress.com/2016/05/the-vinegar-syndrome.pdf
Library of Congress (2019) How Long Will Digital Storage Media Last: Personal Archiving. Library of Congress, USA. URL: https://www.digitalpreservation.gov/personalarchiving
J. McKendrick (2012) Apple Co-Founder Steve Wozniak Distrusts the Cloud: Is He Right? Forbes, 6 August. URL: https://www.forbes.com/sites/joemckendrick/2012/08/06/apple-co-founder-steve-wozniak-distrusts-the-cloud-is-he-right
T. Masson (1999) CG101: A Computer Graphics Industry Reference, 1st ed. New Riders.
T. Masson (2007) CG101: A Computer Graphics Industry Reference, 2nd ed. Digital Fauxtography.
Microsoft (2023) Visual Foundation Model. Microsoft Corporation, USA. URL: https://www.microsoft.com/en-us/research/project/visual-foundation-model
A. A. Minai (2023) Deep Intelligence: What AI Should Learn from Nature’s Imagination. Cognitive Computing, 6 March. DOI: 10.1007/s12559-023-10124-9.
R. Nayr (2023) Some AI Artworks Now Eligible for Copyright. Hyperallergic, News, 22 March. URL: https://hyperallergic.com/809807/some-ai-artworks-now-eligible-for-copyright
G. Roberts (2018) Voices from the Savannah. Blurb. URL: https://www.blurb.co.uk/b/8788484-voices-from-the-savannah-june-2018-edition
F. Simion (2014) In the Pursuit of Light. Blurb. URL: http://www.blurb.co.uk/b/5514602-in-thepursuit-of-light
J. Weinel, J. P. Bowen, A. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2021.0.
J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2019) EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2019.0.
J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2020) EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2020.0.
Wilhelm Imaging Research (2007) HP Designjet Z3100-Print Permanence Ratings. Wilhelm Imaging Research, 28 December. URL: http://wilhelm-research.com/hp/Z3100.html

Comments

Comment on this article

[1] S. Boiano, A. Borda, J. P. Bowen, G. Gaia, and T. Giannini (2022) Vignettes of Computer-based Museum Interactive and Games Software through the Years. In Bowenet al. (2022), pp. 158–166. DOI: 10.14236/ewic/EVA2022.30.

[2] S. Boiano, A. Borda, and G. Gaia (2019) Participatory Innovation and Prototyping in the Cultural Section: A case study. In Weinelet al. (2019), pp. 18–26. DOI: 10.14236/ewic/EVA2019.3.

[3] S. Boiano, A. Borda, G. Gaia, S. Rossi, and P. Cuomo (2018) Chatbots and New Audience Opportunities for Museums and Heritage Organisations. In Bowenet al. (2018), pp. 164–171. DOI: 10.14236/ewic/EVA2018.33.

[4] S. Boiano, J. P. Bowen, and G. Gaia (2012) Usability, Design and Content Issues of Mobile Apps for Cultural Heritage Promotion: The Malta culture guide experience. In S. Dunn, J. P. Bowen & K. Ng (eds.), EVA London 2012: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 66–73. DOI: 10.14236/ewic/EVA2012.12.

[5] J. P. Bowen (2020) A personal view of EVA London: Past, present, future. In Weinelet al. (2020), pp. 8–15. DOI: 10.14236/ewic/EVA2020.2.

[6] J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2016) EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2016.0.

[7] J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2017) EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2017.0.

[8] J. P. Bowen and T. Giannini (2014) Digitalism: The new realism? In K. Ng, J. P. Bowen & S. McDaid (eds.), EVA London 2014: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 324–331. DOI: 10.14236/ewic/EVA2014.76.

[9] J. P. Bowen and T. Giannini (2016) From analogue to digital in literature and art. In Bowenet al. (2016), pp. 1–4. DOI: 10.14236/ewic/EVA2016.1.

[10] J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: 10.14236/ewic/EVA2021.3.

[11] J. P. Bowen and T. Giannini (2023) The Arts and Computational Culture: A landscape view. In this volume.

[12] J. P. Bowen, T. Giannini, R. Ara, A. Lomas, and J. Siefring (2019) Computational Culture and AI: Challenging human identity and curatorial practice. In Weinelet al. (2019), pp. 1–9. DOI: 10.14236/ewic/EVA2019.1.

[13] J. P. Bowen, T. Giannini, R. Falconer, M. T. Magruder, and E. Marconi (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In Weinelet al. (2021), pp. 7–11. DOI: 10.14236/ewic/EVA2021.2.

[14] J. P. Bowen, T. Giannini, and G. Polmeer (2017) Coded communication: Digital senses and aesthetics, merging art and life. In Bowenet al. (2017), pp. 1–8. DOI: 10.14236/ewic/EVA2017.1.

[15] J. P. Bowen, T. Giannini, G. Polmeer, R. Falconer, A. I. Miller, and S. Dunn (2020) States of Begin: Art and identity in digital space and time. In Weinelet al. (2020), pp. 1–7. DOI: 10.14236/ewic/EVA2020.1.

[16] J. P. Bowen, T. Giannini, G. Polmeer, C. Gannis, J. Gardiner, J. Kearney, B. Wands, and J. Weinel (2018) States of Begin: Art and identity in digital space and time. In Bowenet al. (2018), pp. 1–7. DOI: 10.14236/ewic/EVA2018.1.

[17] J. P. Bowen, J. Weinel, A. Borda, and G. Diprose (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0.

[18] J. P. Bowen, J. Weinel, G. Diprose, and N. Lambert (eds.) (2018) EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2018.0.

[19] G. Diprose, C. Craig, and M. Seaborne (2009) London's Changing Riverscape: Panoramas from London Bridge to Greenwich. Frances Lincoln, London.

[20] G. Diprose, M. George, and R. Darwall-Smith (2018) An Alternative Meth of Very Long-term Conservation of Digital Images and their Historical Context for The Archive, University College, Oxford. In Bowenet al. (2018), pp. 48–55. DOI: 10.14236/ewic/EVA2018.10.

[21] G. Diprose and J. Robins (2007a) The River Thames Revisited: In the Footsteps of Henry Taunt. Frances Lincoln, London.

[22] G. Diprose and J. Robins (2007b) ‣in the footsteps of Henry Taunt, 2007–2012. URL: http://henrytaunt.com/exhibition.htm

[23] G. Diprose and M. Seaborne (2011) An alternative approach to conserving digital images into the 23rd century. In J. P. Bowen, S. Dunn & K. Ng (eds.), EVA London 2011: Electronic Visualisation and the Arts, UK, 6–8 July, pp. 132–138. Electronic Workshops in Computing, BCS. DOI: 10.14236/ewic/EVA2011.25.

[24] G. Diprose and M. Seaborne (2013) Back to paper? An alternative approach to conserving digital images into the twenty-third century. In J. P. Bowen, S. Keene & K. Ng (eds.), Electronic Visualisation in Arts and Culture, pp 57–72. Springer Series on Cultural Computing. DOI: 10.1007/978-1-4471-5406-8_5.

[25] G. Diprose and M. Seaborne (2015) The Artefact as a Time Machine. In Electronic Visualisation and the Arts (EVA 2015) Berlin, Germany, 6 November.

[26] G. Diprose and A. Toyas (2019) A 21st Century ‘Victorian’ Family Album. In Weinelet al. (2019), pp. 73–79. DOI: 10.14236/ewic/EVA2019.16.

[27] Economic Times (2023) Visual ChatGPT: Here's all you need to know about it. The Economic Times, News, 26 March. URL: https://economictimes.indiatimes.com/news/international/us/visual-chatgpt-heres-all-you-need-to-know-about-it/articleshow/99015286.cms

[28] M. Fischer (2010) Article Review: Creating Long-Lasting Inkjet Prints. Confluence, Rochester Institute of Technology USA. URL: https://wiki.rit.edu/pages/viewpage.action?pageId=40047061

[29] G. Gaia, S. Boiano, and A. Borda (2019) Engaging museums with AI: The case of chatbots. In Giannini & Bowen (eds.) (2019), chapter 15, pp. 309–329. DOI: 10.1007/978-3-319-97457-6_15.

[30] G. Gaia, S. Boiano, J. P. Bowen, and A. Borda (2020) Museum Websites of the First Wave: The rise of the virtual museum. In Weinelet al. (2020), pp. 24–31. DOI: 10.14236/ewic/EVA2020.4.

[31] T. Giannini and J. P. Bowen (2016) Curating digital life and culture: Art and information. In Bowenet al. (2016), pp. 237–244. DOI: 10.14236/ewic/EVA2016.46.

[32] T. Giannini and J. P. Bowen (2018) Of museums and digital culture: A landscape view. In Bowenet al. (2018), pp. 172–179. DOI: 10.14236/ewic/EVA2018.34.

[33] T. Giannini and J. P. Bowen (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6.

[34] T. Giannini and J. P. Bowen (2019a) Digital culture. In Giannini & Bowen (eds.) (2019), chapter 1, pp. 3–26. DOI: 10.1007/978-3-319-97457-6_1.

[35] T. Giannini and J. P. Bowen (2019b) Museums and digitalism. In Giannini & Bowen (eds.) (2019), chapter 2, pp. 27–46. DOI: 10.1007/978-3-319-97457-6_2.

[36] T. Giannini and J. P. Bowen (2021) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567.

[37] T. Giannini and J. P. Bowen (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: 10.3390/heritage5010011.

[38] T. Giannini and J. P. Bowen (2022b) Digital Experience in Art and Identity: The Metaverse calls. In V. Cappellini, Electronic Imaging & the Visual Arts: EVA 2022 Florence, pp. 24–31. Leonardo Libri. DOI: 110.31235/osf.io/6y4vd.

[39] T. Giannini and J. P. Bowen (2022c) More than Human: Merging real and virtual states of being from arts and culture to wellness in a post-Covid world. In Bowenet al. (2022), pp. 119–126. DOI: 10.14236/ewic/EVA2022.24.

[40] T. Giannini and J. P. Bowen (2022d) Computa-tional Culture: Transforming archives practice and education for a post-Covid world. ACM Journal on Computing and Cultural Heritage, 15. DOI: 10.1145/3493342.

[41] T. Giannini and J. P. Bowen (2023) Global Cultural Conflict and Digital Identity: Transforming museums. Heritage, 6(2):1986–2005. DOI: 10.3390/heritage6020107.

[42] T. Giannini and J. P. Bowen (2023) Generative Art and Computational Imagination: Integrating poetry and art. In this volume.

[43] T. Giannini, J. P. Bowen, C. Michaels, and C. H. Smith (2022) Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse. In Bowenet al. (2022), pp. 1–7. DOI: 10.14236/ewic/EVA2022.1.

[44] Image Permanence Institute (2016) Acetate Film Base Deterioration-The Vinegar Syndrome. Rochester Institute of Technology, New York. URL: https://lenasalina.files.wordpress.com/2016/05/the-vinegar-syndrome.pdf

[45] Library of Congress (2019) How Long Will Digital Storage Media Last: Personal Archiving. Library of Congress, USA. URL: https://www.digitalpreservation.gov/personalarchiving

[46] J. McKendrick (2012) Apple Co-Founder Steve Wozniak Distrusts the Cloud: Is He Right? Forbes, 6 August. URL: https://www.forbes.com/sites/joemckendrick/2012/08/06/apple-co-founder-steve-wozniak-distrusts-the-cloud-is-he-right

[47] T. Masson (1999) CG101: A Computer Graphics Industry Reference, 1st ed. New Riders.

[48] T. Masson (2007) CG101: A Computer Graphics Industry Reference, 2nd ed. Digital Fauxtography.

[49] Microsoft (2023) Visual Foundation Model. Microsoft Corporation, USA. URL: https://www.microsoft.com/en-us/research/project/visual-foundation-model

[50] A. A. Minai (2023) Deep Intelligence: What AI Should Learn from Nature’s Imagination. Cognitive Computing, 6 March. DOI: 10.1007/s12559-023-10124-9.

[51] R. Nayr (2023) Some AI Artworks Now Eligible for Copyright. Hyperallergic, News, 22 March. URL: https://hyperallergic.com/809807/some-ai-artworks-now-eligible-for-copyright

[52] G. Roberts (2018) Voices from the Savannah. Blurb. URL: https://www.blurb.co.uk/b/8788484-voices-from-the-savannah-june-2018-edition

[53] F. Simion (2014) In the Pursuit of Light. Blurb. URL: http://www.blurb.co.uk/b/5514602-in-thepursuit-of-light

[54] J. Weinel, J. P. Bowen, A. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2021.0.

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