<i>SHEMZA.DIGITAL</i>: Participatory art as a catalyst for social change

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SHEMZA.DIGITAL: Participatory art as a catalyst for social change

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proceedings-article

Author(s): Aphra Shemza , Stuart Faromarz Batchelor

Publication date (Print): July 2021

Conference name: Proceedings of EVA London 2021 (EVA 2021)

Conference theme: AI and the Arts: Artificial Imagination

Conference date: 5th July – 9th July 2021

Keywords: Digital art, Participatory art, Generative art, British art history, Decolonising art

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Abstract

Content

Author and article information

Contributors

Aphra Shemza

Stuart Faromarz Batchelor

Conference

Publication date: July 2021

Publication date (Print): July 2021

Pages: 155-162

Affiliations

[0001]Art in Flux

LondonUK

Article

DOI: 10.14236/ewic/EVA2021.26

SO-VID: 92525335-5744-460b-8a7c-2517e9160d2d

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2021

Conference acronym: EVA 2021

Conference number:

Conference location: London

Conference date: 5th July – 9th July 2021

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: AI and the Arts: Artificial Imagination

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.26

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Anonymous user tester. (2020) Testimonial user testing form.
G. Bader (2016) Post war: Art between the Pacific and the Atlantic: 1945-1965. https://www.artforum.com/print/201607/postwar-art-between-the-pacific-and-the-atlantic-1945-1965-62995 (20th March 2020).
Stuart Batchelor. (2019) A Framework For Future Paintings. In: J. Weinel, J.P. Bowen, G. Diprose, and N. Lambert (eds), EVA London 2019 (Electronic Visualisation and the Arts) 2019. [Cross Ref]
W. Benjamin (1931-1934) The Author as Producer. Harvard University Press, 2003) pp.777.
I. Bogost (2007) Persuasive Games: The Expressive power of Videogames, Cambridge MA: MIT Press, p.4.
J Broderick Lewis. (2010) The Art of Sustainability: Visual Arts Organisations and the Modern Environmental Movement. CSPA Quarterly, Volume 2 (1), pp.6-8.
Clare (2020) Testimonial user testing form.
I. Dadi (2016). Anwar Jalal Shemza. Riding House, London, UK.
O. Gingrich (2020) Testimonial user testing form.
C Grant & D. Price (2020) Decolonising Art History. https://onlinelibrary.wiley.com/doi/full/10.1111/1467-8365.12490 (20th March 2021).
A.W. Moore (2018) Brief Genealogy of Social Sculpture. http://www.joaap.org/webonly/moore.htm (26th March 2018).
A. Shemza (2016) My grandfather, Anwar Jalal Shemza. Tate Etc. 16th October 2016.

Comments

Comment on this article

[1] Anonymous user tester. (2020) Testimonial user testing form.

[2] G. Bader (2016) Post war: Art between the Pacific and the Atlantic: 1945-1965. https://www.artforum.com/print/201607/postwar-art-between-the-pacific-and-the-atlantic-1945-1965-62995 (20th March 2020).

[3] Stuart Batchelor. (2019) A Framework For Future Paintings. In: J. Weinel, J.P. Bowen, G. Diprose, and N. Lambert (eds), EVA London 2019 (Electronic Visualisation and the Arts) 2019. [Cross Ref]

[4] W. Benjamin (1931-1934) The Author as Producer. Harvard University Press, 2003) pp.777.

[5] I. Bogost (2007) Persuasive Games: The Expressive power of Videogames, Cambridge MA: MIT Press, p.4.

[6] J Broderick Lewis. (2010) The Art of Sustainability: Visual Arts Organisations and the Modern Environmental Movement. CSPA Quarterly, Volume 2 (1), pp.6-8.

[7] Clare (2020) Testimonial user testing form.

[8] I. Dadi (2016). Anwar Jalal Shemza. Riding House, London, UK.

[9] O. Gingrich (2020) Testimonial user testing form.

[10] C Grant & D. Price (2020) Decolonising Art History. https://onlinelibrary.wiley.com/doi/full/10.1111/1467-8365.12490 (20th March 2021).

[11] A.W. Moore (2018) Brief Genealogy of Social Sculpture. http://www.joaap.org/webonly/moore.htm (26th March 2018).

[12] A. Shemza (2016) My grandfather, Anwar Jalal Shemza. Tate Etc. 16th October 2016.

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