See how this article has been cited at scite.ai
scite shows how a scientific paper has been cited by providing the context of the citation, a classification describing whether it supports, mentions, or contrasts the cited claim, and a label indicating in which section the citation was made.
J BrunerL Postman 1949 On the perception of incongruity. A paradigm Journal of Personality 18 206 223
J Chadabe 1996 The History of Electronic Music as a Reflection of Structural Paradigms Leonardo Music Journal 6 The MIT Press
J DecetyJ Grèzes 2006 The power of simulation Brain Research 1079 4 14
N Engelsted 2017 Catching up with Aristotle: A journey in quest of general psychology Springer New York, NY
H. P Gasselseder 2015 The Role of Agency in Ludoacoustic Immersion. Experiencing Recorded Sound and Music in Situational Context AM’15: Proceedings of the Audio Mostly 2015 on Interaction with Sound ACM New York, NY
H. P Gasselseder 2016 What You Hear is Where You Are Is What I Hear. Optimising Immersive Experiences for Interindividual Differences EVA London 2016 Electronic Visualisation and the Arts. Electronic Visualisation and the Arts BCS London, UK 61 69
H. P Gasselseder 2020 Guided 360 degrees version of “The Ravens” https://www.youtube.com/watch?v=MBOU6Vas6Bo 17 March 2020
H. P GasselsederM Kallionpää 2019 Beyond the Audience Seat: The Recording and Production of Immersive Opera and Interactive Concerto Programmes for VR Experiences EVA London 2019 Electronic Visualisation and the Arts BCS London, UK 8–11 July 2019 409 416
D Gozli 2018 Experimental Psychology and Human Agency Springer Cham, CH
E Hanslick 1902 Vom Musikalisch-Schönen Ein Beitrag zur Revision der Ästhetik der Tonkunst. Breitkopf und Härtel Leipzig, DE
W Jauk 2012 Medien der Erkenntnis und Gestaltung von Erlebniswelten zwischen embodiments und Metaphern B Enders Die Metapher als Medium des Musikverstehens Universität Osnabrück Osnabrück, DE 173 186
M Jeannerod 1997 The Cognitive Neuroscience of Action Blackwell Oxford, UK
M Kallionpää 2014 Beyond the Piano: The Super Instrument. Widening the Instrumental Capacities in the Context of the Piano Music of the 21st Century. Doctoral dissertation University of Oxford Oxford
M KallionpääA ChamberlainH.P Gasselseder 2018 Under Construction: Contemporary Opera in the Crossroads Between New Aesthetics, Techniques, and Technologies Audio Mostly 2018 Wrexham, UK 12-14 September 2018
Kandao 2018 QooCam 360° camera https://www.kandaovr.com/qoocam 16 March 2020
Kodak 2015 Kodak SP360-4K 360° 3D Camera https://kodakpixpro.com/Europe/cameras/vrcamera/sp3604k 16 March 2020
M Leman 2010 Music, Gesture, and the Formation of Embodied Meaning R. I GodøyM Leman Musical Gestures Routledge New York, NY 126 153
F Nietzsche 1888 2012 Der Fall Wagner Giorgio ColliMazzino Montinari Walter de Gruyter Berlin, DE
L Russolo 1913 The Art of Noises http://www.unknown.nu/futurism/noises.html 17 March 2020
A Schoenberg 1950 Style and Idea Philosophical Library, INC New York, NY
R Schumann 1854 1965 Gesammelte Schriften über Musik und Musiker Reclam Leipzig, DE
Soundfield 2008 SPS 200 Ambisonics array https://www.soundfield.com/-/products/sps200 16 March 2020
R Wagner 1850 Das Kunstwerk der Zukunft Wigand Leipzig, DE
Yi 2017 Yi 360 360° camera https://www.yitechnology.com.sg/yi-360-vr-camera 16 March 2020
Zoom 2011 H2n Audio field recorder https://www.zoom.co.jp/products/handy-recorder/h2n-handy-recorder 16 March 2020
Zylia 2018 Zylia ZM-1d Ambisonics Microphone Array http://www.zylia.co/zylia-pro.html 16 March 2020