Afrobits: An interactive installation of African music and the Trans-Atlantic slave trade

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Afrobits: An interactive installation of African music and the Trans-Atlantic slave trade

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Author(s): Javier Pereda , Patricia A Murrieta-Flores , Nicholas Radburn , Lois South , Christian Monaghan

Publication date (Print): July 2020

Conference name: Proceedings of EVA London 2020 (EVA 2020)

Conference theme: AI and the Arts: Artificial Imagination

Conference date: 6th July – 9th July 2020

Keywords: Interaction design, Digital humanities, History, Cultural heritage, Museum studies

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Author Summary

Abstract

Content

Author and article information

Contributors

Javier Pereda

Patricia A Murrieta-Flores

Nicholas Radburn

Lois South

Christian Monaghan

Conference

Publication date: July 2020

Publication date (Print): July 2020

Pages: 106-111

Affiliations

[0001]Liverpool John Moores University

Liverpool, UK

[0002]Lancaster University

Lancaster, UK

[0003]University College London

London, UK

[0004]EatenAlive

Warrington, UK

Article

DOI: 10.14236/ewic/EVA2020.19

SO-VID: 898398ea-069f-4b29-814e-f3fd13a4d3ea

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2020

Conference acronym: EVA 2020

Conference number: 30

Conference location: London

Conference date: 6th July – 9th July 2020

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: AI and the Arts: Artificial Imagination

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2020.19

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

A Abeba 2016 Declaran patrimonio a la rumba cubana [Online] https://elpotosi.net/cultura/20161201_declaranpatrimonio-a-la-rumba-cubana.html October 12 2019
C Berry 1956 Roll Over Beethoven Chuck Berry is on Top
British Library 1992 Yu wele Syliphone record label recordings from Guinea British Library
A Cole 1976 War Rastaman Vibration
E CostanzaJ Huang 2009 Designable Visual Markers Chi2009: Proceedings of the 27th Annual Chi Conference on Human Factors in Computing Systems 1 4 1879 1888
A Earle 1822 Negro fandango scene, Campo St. Anna, Rio de Janeiro [Watercolour – online] National Library of Australia: https://catalogue.nla.gov.au/Record/798007 August 8 2019
D Eltis 2018 A Brief Overview of the TransAtlantic Slave Trade,' Voyages: The Trans-Atlantic Slave Trade Database [Online] https://www.slavevoyages.org/voyage/database#tables December 13 2019
R Ennals 2007 From slavery to citizenship John Wiley & Sons
D Fleming 2005 Liverpool: European Capital of... the Transatlantic Slave Trade [Online]. Amsterdam https://www.liverpoolmuseums.org.uk/ism/resources/amsterdam_conference.aspx December 15 2019
H FrayJ Pereda 2019 Conductive Circuits Printmaking Today
J GiblinI RamosN Grout 2019 Dismantling the Master’s House Third Text, 33 471 486
P Gilroy 2005 Postcolonial melancholia Columbia University Press
Innovate UK 2016 Bare Conductive: original paint technology opens a digital world [Online] https://www.gov.uk/government/case-studies/bare-conductive-original-paint-technology-opens-a-digital-world November 29 2018
W Jackson 1780 A Liverpool Slave Ship [Oil on canvas – online] Liverpool Museums: https://www.liverpoolmuseums.org.uk/ism/visit/floor-plan/middle-passage/slave-ship.aspx September 10 2019
H. S Klein 1978 The English Slave Trade to Jamaica, 1782–18081 The Economic History Review, 31 25 45
P. K Leffler 2006 Maritime museums and transatlantic slavery: A study in British and American identity Journal of Transatlantic Studies, 4 55 80
J LennonP Mccartney 1966 Penny Lane Strawberry Fields Forever London EMI
W. D Mignolo 2002 Colonialidad Global, Capitalismo y Hegemonía Epistémica In: C WalshF SchiwyS Castro-Gómez Indisciplinar las ciencias sociales: Geopolíticas del conocimiento y colonialidad del poder. Perspectivas desde lo andino Universidad Andina Simon Bolivar
Mit Media Lab. 2019 Scratch [Online] https://scratch.mit.edu/ March 1 2019
F Oramas 1997 Candela Buena Vista Social Club Havana, Cuba EGREM
J Pereda 2012 Web Based Tangible User Interfaces to Increase Engagement with Online Museums MSc Web Science, University of Southampton
J Pereda 2017 Exploración del Patrimonio Cultural a través de Interfaces Tangibles en la Red Arqueología Computacional. Nuevos enfoques para el análisis y la difusión del patrimonio cultural INAH
J Pereda 2019 A TUI To Explore Cultural Heritage Repositories on The Web Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction ACM
J PeredaH FrayN Morris 2018 Printeractive. Printeractive Workshops [Online]. Liverpool https://www.printeractive.trinkermedia.com/2018/12/04/printeractive-workshop/ January 13 2020
J PeredaP Murrieta-FloresP. D RitsosJ. C Roberts 2017 Tangible User Interfaces as a Pathway for Information Visualisation for Low Digital Literacy in the Digital Humanities IEEE VIS 2017 – 2nd Workshop on Visualization for the Digital Humanities Phoenix, Arizona IEEE
E RestrepoA Rojas 2016 Conflicto e (in) visibilidad: Retos en los estudios de la gente negra en Colombia Organización Internacional para las Migraciones OIM-Misión Colombia
H Rowell 1966 Ee wan wabina ikuk and Lukembe tuning Peter Cooke Uganda Collection British Library
D Rycroft 1979 Musical bow lecture examples 1979: Tsongo/ Angola bows David Rycroft South Africa Collection British Library
N Sadler 2018 The Legacy of Slavery in Britain Amberley Publishing
F Sanderson 1972 Liverpool and the slave trade: a guide to sources Transactions of the Historic Society of Lancashire and Cheshire, 124 154 176
Slavery Images 1807 Plantation Scene and Slave Houses, Barbados, 1807–08 [Engraving – online]. Available at: Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora http://www.slaveryimages.org/s/slaveryimages/item/1472 July 8 2019
Smith Sc 1834 Slave ships on the ocean. Wood engraving by Smyth [Wood Engravings – online] Wellcome Collection: https://wellcomecollection.org/works/sebfmc2m September 12 2019
E Souto 1929 “Seu” doutor [Analogue sound – online] Biblioteca Nacional (Brasil): http://acervo.bndigital.bn.br/sophia/index.asp?codigo_sophia=13081 September 20 2019
C SyllaP BrancoC CoutinhoE Coquet 2012 TUIs vs. GUIs: comparing the learning potential with preschoolers Personal and Ubiquitous Computing, 16 421 432
J Wesley 1941 Alabama Red [Field Recording – online]. Available at: Library of Congress: https://www.loc.gov/item/ftvbib000016/
C Wintle 2013 Colonial collecting and display: encounters with material culture from the Andaman and Nicobar islands Berghahn Books
M Zeuske 2012 Historiography and research problems of slavery and the slave trade in a global-historical perspective International Review of Social History, 57 87 111

Comments

Comment on this article

[1] A Abeba 2016 Declaran patrimonio a la rumba cubana [Online] https://elpotosi.net/cultura/20161201_declaranpatrimonio-a-la-rumba-cubana.html October 12 2019

[2] C Berry 1956 Roll Over Beethoven Chuck Berry is on Top

[3] British Library 1992 Yu wele Syliphone record label recordings from Guinea British Library

[4] A Cole 1976 War Rastaman Vibration

[5] E CostanzaJ Huang 2009 Designable Visual Markers Chi2009: Proceedings of the 27th Annual Chi Conference on Human Factors in Computing Systems 1 4 1879 1888

[6] A Earle 1822 Negro fandango scene, Campo St. Anna, Rio de Janeiro [Watercolour – online] National Library of Australia: https://catalogue.nla.gov.au/Record/798007 August 8 2019

[7] D Eltis 2018 A Brief Overview of the TransAtlantic Slave Trade,' Voyages: The Trans-Atlantic Slave Trade Database [Online] https://www.slavevoyages.org/voyage/database#tables December 13 2019

[8] R Ennals 2007 From slavery to citizenship John Wiley & Sons

[9] D Fleming 2005 Liverpool: European Capital of... the Transatlantic Slave Trade [Online]. Amsterdam https://www.liverpoolmuseums.org.uk/ism/resources/amsterdam_conference.aspx December 15 2019

[10] H FrayJ Pereda 2019 Conductive Circuits Printmaking Today

[11] J GiblinI RamosN Grout 2019 Dismantling the Master’s House Third Text, 33 471 486

[12] P Gilroy 2005 Postcolonial melancholia Columbia University Press

[13] Innovate UK 2016 Bare Conductive: original paint technology opens a digital world [Online] https://www.gov.uk/government/case-studies/bare-conductive-original-paint-technology-opens-a-digital-world November 29 2018

[14] W Jackson 1780 A Liverpool Slave Ship [Oil on canvas – online] Liverpool Museums: https://www.liverpoolmuseums.org.uk/ism/visit/floor-plan/middle-passage/slave-ship.aspx September 10 2019

[15] H. S Klein 1978 The English Slave Trade to Jamaica, 1782–18081 The Economic History Review, 31 25 45

[16] P. K Leffler 2006 Maritime museums and transatlantic slavery: A study in British and American identity Journal of Transatlantic Studies, 4 55 80

[17] J LennonP Mccartney 1966 Penny Lane Strawberry Fields Forever London EMI

[18] W. D Mignolo 2002 Colonialidad Global, Capitalismo y Hegemonía Epistémica In: C WalshF SchiwyS Castro-Gómez Indisciplinar las ciencias sociales: Geopolíticas del conocimiento y colonialidad del poder. Perspectivas desde lo andino Universidad Andina Simon Bolivar

[19] Mit Media Lab. 2019 Scratch [Online] https://scratch.mit.edu/ March 1 2019

[20] F Oramas 1997 Candela Buena Vista Social Club Havana, Cuba EGREM

[21] J Pereda 2012 Web Based Tangible User Interfaces to Increase Engagement with Online Museums MSc Web Science, University of Southampton

[22] J Pereda 2017 Exploración del Patrimonio Cultural a través de Interfaces Tangibles en la Red Arqueología Computacional. Nuevos enfoques para el análisis y la difusión del patrimonio cultural INAH

[23] J Pereda 2019 A TUI To Explore Cultural Heritage Repositories on The Web Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction ACM

[24] J PeredaH FrayN Morris 2018 Printeractive. Printeractive Workshops [Online]. Liverpool https://www.printeractive.trinkermedia.com/2018/12/04/printeractive-workshop/ January 13 2020

[25] J PeredaP Murrieta-FloresP. D RitsosJ. C Roberts 2017 Tangible User Interfaces as a Pathway for Information Visualisation for Low Digital Literacy in the Digital Humanities IEEE VIS 2017 – 2nd Workshop on Visualization for the Digital Humanities Phoenix, Arizona IEEE

[26] E RestrepoA Rojas 2016 Conflicto e (in) visibilidad: Retos en los estudios de la gente negra en Colombia Organización Internacional para las Migraciones OIM-Misión Colombia

[27] H Rowell 1966 Ee wan wabina ikuk and Lukembe tuning Peter Cooke Uganda Collection British Library

[28] D Rycroft 1979 Musical bow lecture examples 1979: Tsongo/ Angola bows David Rycroft South Africa Collection British Library

[29] N Sadler 2018 The Legacy of Slavery in Britain Amberley Publishing

[30] F Sanderson 1972 Liverpool and the slave trade: a guide to sources Transactions of the Historic Society of Lancashire and Cheshire, 124 154 176

[31] Slavery Images 1807 Plantation Scene and Slave Houses, Barbados, 1807–08 [Engraving – online]. Available at: Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora http://www.slaveryimages.org/s/slaveryimages/item/1472 July 8 2019

[32] Smith Sc 1834 Slave ships on the ocean. Wood engraving by Smyth [Wood Engravings – online] Wellcome Collection: https://wellcomecollection.org/works/sebfmc2m September 12 2019

[33] E Souto 1929 “Seu” doutor [Analogue sound – online] Biblioteca Nacional (Brasil): http://acervo.bndigital.bn.br/sophia/index.asp?codigo_sophia=13081 September 20 2019

[34] C SyllaP BrancoC CoutinhoE Coquet 2012 TUIs vs. GUIs: comparing the learning potential with preschoolers Personal and Ubiquitous Computing, 16 421 432

[35] J Wesley 1941 Alabama Red [Field Recording – online]. Available at: Library of Congress: https://www.loc.gov/item/ftvbib000016/

[36] C Wintle 2013 Colonial collecting and display: encounters with material culture from the Andaman and Nicobar islands Berghahn Books

[37] M Zeuske 2012 Historiography and research problems of slavery and the slave trade in a global-historical perspective International Review of Social History, 57 87 111

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Afrobits: An interactive installation of African music and the Trans-Atlantic slave trade

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