Simulacra : Using game development software to create audio-visual performance tools

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Simulacra: Using game development software to create audio-visual performance tools

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Author(s): Chris Holtum

Publication date (Print): July 2020

Conference name: Proceedings of EVA London 2020 (EVA 2020)

Conference theme: AI and the Arts: Artificial Imagination

Conference date: 6th July – 9th July 2020

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Content

Author and article information

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Chris Holtum

Conference

Publication date: July 2020

Publication date (Print): July 2020

Pages: 100-103

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[0001]London South Bank University

London, UK

Article

DOI: 10.14236/ewic/EVA2020.17

SO-VID: 2dd27a29-1cfe-4cd8-89f7-8d2d00abdf26

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2020

Conference acronym: EVA 2020

Conference number: 30

Conference location: London

Conference date: 6th July – 9th July 2020

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: AI and the Arts: Artificial Imagination

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2020.17

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

A Dolphin 2014 ‘Defining Sound Toys: Play as Composition’ K CollinsB KapralosH Tessler The Oxford Handbook of Interactive Audio 1st Oxford, UK Oxford University Press 45 61
C Holtum 2019a The Hill That Bleeds Promo Video https://youtu.be/qgtWnMHR0Sg 13 March 2020
C Holtum 2019b Sub Denizen – The Swan Eater (Live @Iklectik 04/12/19) https://youtu.be/qPxZYkwBw0c 13 March 2020
C Holtum 2020 Simulacra Preview https://youtu.be/NIM9w1uEjAU 13 March 2020
C Roads 2004 Microsound Cambridge, MA MIT Press
J Weinel 2018 'Virtual Unreality' Inner Sound: Altered States of Consciousness in Electronic Music and Audio-visual Media New York Oxford University Press
J Weinel 2020 Cyberdreams: Visualising Music in Extended Reality (XR) R.A EarnshawS LiggettP.S ExcellD Thalmann Technology, Design and the Arts – Challenges and Opportunities Cham Springer

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[1] A Dolphin 2014 ‘Defining Sound Toys: Play as Composition’ K CollinsB KapralosH Tessler The Oxford Handbook of Interactive Audio 1st Oxford, UK Oxford University Press 45 61

[2] C Holtum 2019a The Hill That Bleeds Promo Video https://youtu.be/qgtWnMHR0Sg 13 March 2020

[3] C Holtum 2019b Sub Denizen – The Swan Eater (Live @Iklectik 04/12/19) https://youtu.be/qPxZYkwBw0c 13 March 2020

[4] C Holtum 2020 Simulacra Preview https://youtu.be/NIM9w1uEjAU 13 March 2020

[5] C Roads 2004 Microsound Cambridge, MA MIT Press

[6] J Weinel 2018 'Virtual Unreality' Inner Sound: Altered States of Consciousness in Electronic Music and Audio-visual Media New York Oxford University Press

[7] J Weinel 2020 Cyberdreams: Visualising Music in Extended Reality (XR) R.A EarnshawS LiggettP.S ExcellD Thalmann Technology, Design and the Arts – Challenges and Opportunities Cham Springer

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