Visualising Rave Music in Virtual Reality: Symbolic and interactive approaches

Weinel, Jonathan

doi:10.14236/ewic/EVA2020.13

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Visualising Rave Music in Virtual Reality: Symbolic and interactive approaches

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proceedings-article

Author(s): Jonathan Weinel

Publication date (Print): July 2020

Conference name: Proceedings of EVA London 2020 (EVA 2020)

Conference theme: AI and the Arts: Artificial Imagination

Conference date: 6th July – 9th July 2020

Keywords: Music visualisation, Virtual reality, Rave music, Sound design, VJing, Visual music

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Abstract

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Author and article information

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Jonathan Weinel

Conference

Publication date: July 2020

Publication date (Print): July 2020

Pages: 78-84

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[0001]London South Bank University

London, UK

Article

DOI: 10.14236/ewic/EVA2020.13

SO-VID: d32128d9-d661-4769-a624-dcf0f6618540

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2020

Conference acronym: EVA 2020

Conference number: 30

Conference location: London

Conference date: 6th July – 9th July 2020

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: AI and the Arts: Artificial Imagination

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2020.13

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

D Bailey 1992 Improvisation: Its nature and practice in music Boston Da Capo
G Calleja 2011 In Game: From Immersion to Incorporation Cambridge MIT Press
C Cox 1991 Carl Cox at the Eclipse 11th May 1991 [DJ mix] Online https://youtu.be/EmXnfKRTwl8 25 February 2020
C Cox 1992 Carl Cox recorded live at Energy (The Eclipse), Lower Ford Street, Coventry 1992 Online https://youtu.be/2jbD08w7gjM 25 February 2020
C Cox 1993 Fantazia: The Big Bang [DJ mix] Online https://youtu.be/OgO-Eyo5Zd4 25 February 2020
R. B Dannenberg 2005 Interactive Visual Music: A personal perspective Computer Music Journal 29 4 25 35
T DeNora 2010 Music in Everyday Life Cambridge University Press 21 45
R Fischman 2011 Back to the Parlour Sonic Ideas/Ideas Sónicas 3 2 53 66
R Fischman 2012 Ruraq Maki (Hand Made, Hecho a Mano) for Digital Glove [Vimeo documentation of a real-time computer music performance] Online https://vimeo.com/55093629 25 February 2020
Immersive Audio Podcast 2019 Episode 26 Tom Szirtes (Mbryonic) [Internet radio interview] Online https://soundcloud.com/user-713907742/immersive-audio-podcast-episode-26-tom-szirtes-mbryonic 25 February 2020
T Polgár 2005 Freax: A Brief History of the Computer Demoscene CSW-Verlag Winnenden
J Savage 1996 Highflyers: Clubravepartyart London Booth-Clibborn Editions
S SerafinC ErkutJ KojsN. C NilssonR Nordahl 2016 Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions Computer Music Journal 40 3 22 40
M SlaterS Wilbur 1997 A Framework for Immersive Virtual Environments (FIVE): Speculations on the Role of Presence in Virtual Environments Presence: Teleoperators and Virtual Environments 6 6 603 616
H SmithR. T Dean 2009 Practice-led Research, Research-led Practice in the Creative Arts Stockport Edinburgh University Press
G Tanner 2016 Babbling Corpse: Vaporwave and the Commodification of Ghosts Zero Books Alresford
L Vandevenne 2004 Lode’s Computer Graphics Tutorial – Plasmaa Online https://lodev.org/cgtutor/plasma.html 25 February 2020
J Weinel 2007 Flashcore: Earth Atomizer, Let’s Go Spannered Online http://www.spannered.org/music/1181/ 25 February 2020
J Weinel 2018a Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media New York Oxford University Press
J Weinel 2018b Soundcat – Breakbeat DJ/VJ Set [Youtube video] https://youtu.be/xuJP4asCr44 25 February 2020
J Weinel 2019a Cyberdream VR Trailer [YouTube] Online https://youtu.be/1i0WnLgsG9o 25 February 2020
J Weinel 2019b Virtual Hallucinations: Projects in VJing, virtual reality and cyberculture EVA London 2019 (Electronic Visualisation and the Arts) 2019 [Cross Ref]
J WeinelS Cunningham 2020 Practice-led and Interdisciplinary Research Investigating Affective Sound Design M Filimowicz Doing Sound Research in Sound Design Abington Taylor & Francis
J WeinelS CunninghamR PickingL Williams 2014 Holophonor: On the Future Technology of Visual Music K Curran Recent Advances in Ambient Intelligence and Context-Aware Computing Pennsylvania IGI Publishing 248 261

Comments

Comment on this article

[1] D Bailey 1992 Improvisation: Its nature and practice in music Boston Da Capo

[2] G Calleja 2011 In Game: From Immersion to Incorporation Cambridge MIT Press

[3] C Cox 1991 Carl Cox at the Eclipse 11th May 1991 [DJ mix] Online https://youtu.be/EmXnfKRTwl8 25 February 2020

[4] C Cox 1992 Carl Cox recorded live at Energy (The Eclipse), Lower Ford Street, Coventry 1992 Online https://youtu.be/2jbD08w7gjM 25 February 2020

[5] C Cox 1993 Fantazia: The Big Bang [DJ mix] Online https://youtu.be/OgO-Eyo5Zd4 25 February 2020

[6] R. B Dannenberg 2005 Interactive Visual Music: A personal perspective Computer Music Journal 29 4 25 35

[7] T DeNora 2010 Music in Everyday Life Cambridge University Press 21 45

[8] R Fischman 2011 Back to the Parlour Sonic Ideas/Ideas Sónicas 3 2 53 66

[9] R Fischman 2012 Ruraq Maki (Hand Made, Hecho a Mano) for Digital Glove [Vimeo documentation of a real-time computer music performance] Online https://vimeo.com/55093629 25 February 2020

[10] Immersive Audio Podcast 2019 Episode 26 Tom Szirtes (Mbryonic) [Internet radio interview] Online https://soundcloud.com/user-713907742/immersive-audio-podcast-episode-26-tom-szirtes-mbryonic 25 February 2020

[11] T Polgár 2005 Freax: A Brief History of the Computer Demoscene CSW-Verlag Winnenden

[12] J Savage 1996 Highflyers: Clubravepartyart London Booth-Clibborn Editions

[13] S SerafinC ErkutJ KojsN. C NilssonR Nordahl 2016 Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions Computer Music Journal 40 3 22 40

[14] M SlaterS Wilbur 1997 A Framework for Immersive Virtual Environments (FIVE): Speculations on the Role of Presence in Virtual Environments Presence: Teleoperators and Virtual Environments 6 6 603 616

[15] H SmithR. T Dean 2009 Practice-led Research, Research-led Practice in the Creative Arts Stockport Edinburgh University Press

[16] G Tanner 2016 Babbling Corpse: Vaporwave and the Commodification of Ghosts Zero Books Alresford

[17] L Vandevenne 2004 Lode’s Computer Graphics Tutorial – Plasmaa Online https://lodev.org/cgtutor/plasma.html 25 February 2020

[18] J Weinel 2007 Flashcore: Earth Atomizer, Let’s Go Spannered Online http://www.spannered.org/music/1181/ 25 February 2020

[19] J Weinel 2018a Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media New York Oxford University Press

[20] J Weinel 2018b Soundcat – Breakbeat DJ/VJ Set [Youtube video] https://youtu.be/xuJP4asCr44 25 February 2020

[21] J Weinel 2019a Cyberdream VR Trailer [YouTube] Online https://youtu.be/1i0WnLgsG9o 25 February 2020

[22] J Weinel 2019b Virtual Hallucinations: Projects in VJing, virtual reality and cyberculture EVA London 2019 (Electronic Visualisation and the Arts) 2019 [Cross Ref]

[23] J WeinelS Cunningham 2020 Practice-led and Interdisciplinary Research Investigating Affective Sound Design M Filimowicz Doing Sound Research in Sound Design Abington Taylor & Francis

[24] J WeinelS CunninghamR PickingL Williams 2014 Holophonor: On the Future Technology of Visual Music K Curran Recent Advances in Ambient Intelligence and Context-Aware Computing Pennsylvania IGI Publishing 248 261

UK Computing Summit 2025: Navigating change (surviving and beyond) - 29-30 April @ Sheffield Hallam University - Register here.

Visualising Rave Music in Virtual Reality: Symbolic and interactive approaches

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