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      Physical to Digital to Physical: Capturing human performances for multidisciplinary theatre visualisation

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      proceedings-article
      Author(s):
      Publication date (Print):
      Conference name: Proceedings of EVA London 2019 (EVA 2019)
      Conference theme: Electronic Visualisation and the Arts
      Conference date: 8 - 11 July 2019
      Keywords: Design, Visualisation, Motion capture, Iteration, Theatre, Real-time, Dance, Choreographer, Digitisation, Interactive, Immersive
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            Abstract

            Content

            Author and article information

            Contributors
            James Simpson
            Conference
            Publication date: July 2019
            Publication date (Print): July 2019
            Pages: 344-350
            Affiliations
            [0001]Rose Bruford College

            RSC Digital Fellowship

            48 Silver Lane

            West Wickham

            Kent

            BR4 0RU, UK
            Article
            DOI: 10.14236/ewic/EVA2019.65
            SO-VID: 747ba0eb-9959-43fb-8d77-03ff6ac5d422
            Copyright © © Simpson. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2019, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2019
            Conference acronym: EVA 2019
            Conference number:
            Conference location: London, UK
            Conference date: 8 - 11 July 2019
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.65
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Keywords: Digitisation,Real-time,Iteration,Immersive,Choreographer,Theatre,Design,Interactive,Visualisation,Dance,Motion capture

            REFERENCES

            1. 2018 ‘The Future of Theatre Technology’ The Future of Theatre and Technology

            2. 2019 ‘Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)’ Humanities Multidisciplinary Digital Publishing Institute 8 1 42 doi: 10.3390/h8010042

            3. 2003 Computer visualization for the theatre: 3D modelling for designers Elsevier/Focal Press

            4. 2014 Towards Immersive Motion Capture Acting Design, Exlporation and Development of an Augmented System Solution http://mdh.diva-portal.org/smash/get/diva2:744815/FULLTEXT01.pdf retrieved 28 November 2018 )

            5. 2015 ‘Ethics of Virtual Reality Applications in Computer Game Production’ Philosophies Multidisciplinary Digital Publishing Institute 1 1 73 86 doi: 10.3390/philosophies1010073

            6. 2016 Supporting Acting Performances Through Mixed Reality and Virtual Environments http://www.diva-portal.org/smash/get/diva2:933488/FULLTEXT01.pdf retrieved 28 November 2018 )

            7. 2009 The Director’s Craft: A handbook for the theatre Routledge

            8. 2001 ‘Virtual Light – Using Digital Technologies in the Process of Lighting Design (2001)’ https://tinyurl.com/vvdlqlkb retrieved 28 November 2018 )

            9. 2015 So you want to be a theatre designer? Nick Hern Books

            10. 2018 Future presence: how virtual reality is changing human connection, intimacy, and the limits of ordinary life

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