Art and Activism at Museums in a Post-digital World

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Art and Activism at Museums in a Post-digital World

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proceedings-article

Author(s): Tula Giannini , Jonathan P. Bowen

Publication date (Print): July 2019

Conference name: Proceedings of EVA London 2019 (EVA 2019)

Conference theme: Electronic Visualisation and the Arts

Conference date: 8 - 11 July 2019

Keywords: Digital activism, Digital art, Digital culture, Digital heritage, Exhibitions, Museums, Post-digital world, Protest

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Abstract

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Author and article information

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Tula Giannini: Role: Professor https://sites.google.com/view/tgiannini/

Jonathan P. Bowen: Role: Emeritus Professor http://www.jpbowen.com

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Publication date: July 2019

Publication date (Print): July 2019

Pages: 27-35

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Pratt Institute

New York, USA

[0002]Computing

School of Engineering

London South Bank University

London, UK

Article

DOI: 10.14236/ewic/EVA2019.4

SO-VID: 7abd9f58-c182-4c14-91e0-d0425f990fcc

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2019

Conference acronym: EVA 2019

Conference number:

Conference location: London, UK

Conference date: 8 - 11 July 2019

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.4

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Akbild 2019 PhD in Practice. Academy of Fine Arts Vienna Austria https://www.akbild.ac.at/Portal/studium/studienrichtungen/phd-in-practice
ArtForum 2019 Hundreds Protest BP Sponsorship of British Museum ArtForum News February 18 2019 https://www.artforum.com/news/hundreds-protest-bp-sponsorship-of-british-museum-78655
J. P. BowenG. DiproseN. Lambert 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2017
J. P. BowenT. Giannini 2014 Digitalism: The new realism? In K. NgJ. P. BowenS. McDaid EVA London 2014: Electronic Visualisation and the Arts BCS, eWiC 324 331 DOI: 10.14236/ewic/eva2014.38
J. P. BowenT. GianniniG. Polmeer 2017 Coded Communication: Digital senses and aesthetics, merging art and life Bowen et al 2017 1 8 DOI: 10.14236/ewic/EVA2017.1
J. P. BowenT. GianniniG. PolmeerC. GannisJ. GardinerJ. KearneyB. WandsJ. Weinel 2018 States of Begin: Art and identity in digital space and time Bowen et al 2018 1 7 DOI: 10.14236/ewic/EVA2018.1
J. P. BowenJ. WeinelG. DiproseN. Lambert 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2018
M. Brown 2018 British Museum shines light on Assyrian ‘king of the world’ The Guardian, UK June 19 2018 https://www.theguardian.com/culture/2018/jun/19/british-museum-shines-light-on-assyrian-king-of-the-world-ashurbanipal
M. Brown 2019 British Museum chief: Taking the Parthenon marbles was ‘creative’ The Guardian, UK January 28 2019 https://www.theguardian.com/artanddesign/2019/jan/28/british-museum-chief-taking-the-parthenon-marbles-was-creative
D. Cannadine 2019 ‘Audacity Is the Only Ticket’: How Winston Churchill, an Amateur Artist, Treated Painting as a Battlefield Artnet News February 18 2019 https://news.artnet.com/art-world/how-amateur-artist-winston-churchill-amateur-saw-painting-1456174
S. Cascone 2018 MIT Researchers Are Using Artificial Intelligence to Make Some of the Most Convincing Reproductions of Art Ever Artnet News December 5 2018 https://news.artnet.com/art-world/artificial-intelligence-is-reproducing-art-masterpieces-1405558
Q. Fottrell 2018 People spend most of their waking hours staring at screens MarketWatch August 4 2018 https://www.marketwatch.com/story/people-are-spending-most-of-their-waking-hours-staring-at-screens-2018-08-01
R. Frost 1923 Stopping by Woods on a Snowy Evening https://en.wikipedia.org/wiki/Stopping_by_Woods_on_a_Snowy_Evening
T. GianniniJ. P. Bowen 2016 Curating Digital Life and Culture: Art and information J. P. BowenG. DiproseN. Lambert EVA London 2016: Electronic Visualisation and the Arts BCS, eWiC 237 244 DOI: 10.14236/ewic/EVA2016.46
T. GianniniJ. P. Bowen 2017 Life in Code and Digits: When Shannon met Turing Bowen et al 2017 51 58 DOI: 10.14236/ewic/EVA2017.9
T. GianniniJ. P. Bowen 2018 Of Museums and Digital Culture: A landscape view Bowen et al 2018 172 179 DOI: 10.14236/ewic/EVA2018.34
T. GianniniJ. P. Bowen 2019 Museums and Digital Culture: New perspectives and research Series on Cultural Computing Springer
C. Goldstein 2019 ‘It’s Time, Guggenheim’: Nan Goldin Launches a Surprise Demonstration at the Guggenheim Museum to Protest Its Sackler Funding Artnet News February 9 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730
G. Harris 2019 Exploitation and injustice’: London gallery show protests BP sponsorship at British Museum The Art Newspaper February 1 2019 https://www.theartnewspaper.com/news/bp-p21
R. Hell 2018 Downtown Legend Richard Hell Interviews Nan Goldin About Art, Opioids, and the Sadness of Life on the Fringes Artnet News November 8 2018 https://news.artnet.com/art-world/nan-goldin-richard-hell-interview-1387933
A. KaunJ. Uldam 2017 Digital activism: After the hype. New Media & Society September 19 2017 DOI: 10.1177/1461444817731924
I. Kaplin 2018 Labour leader Jeremy Corbyn would return the Elgin Marbles to Greece if elected Prime Minister Artsy June 4 2018 https://www.artsy.net/news/artsy-editorial-labour-leader-jeremy-corbyn-return-elgin-marbles-greece-elected-prime-minister
N. Kenny 2019 Met unveils its AI experiment with Microsoft and MIT – Teams produce five digital prototypes for acquainting people with images of museum objects online The Art Newspaper February 5 2019 https://www.theartnewspaper.com/news/met-unveils-its-ai-experiment-with-microsoft-and-mit
E. Kinsella 2018 London’s National Gallery (Finally) Buys a Painting by Artemisia Gentileschi, Pioneering Female Artist of the Italian Renaissance Artnet July 6 2018 https://news.artnet.com/market/national-portrait-gallery-shells-record-4-million-artemesia-gentileschi-self-portrait-1314446
J. Pes 2018 The National Gallery’s New Artemisia Gentileschi Should Be a Triumph—But Clouds Are Forming Over Its Ownership During WWII Artnet News December 12 2018 https://news.artnet.com/exhibitions/national-gallery-artemisia-gentileschi-provenance-1417675
N. Rea 2018 Has Artificial Intelligence Brought Us the Next Great Art Movement? Here Are 9 Pioneering Artists Who Are Exploring AI’s Creative Potential Artnet News November 6 2018 https://news.artnet.com/market/9-artists-artificial-intelligence-1384207
N. Rea 2019 The British Museum Says It Will Never Return the Elgin Marbles, Defending Their Removal as a ‘Creative Act’ Artnet News January 28 2019 https://news.artnet.com/art-world/british-museum-wont-return-elgin-marbles-1449919
T. Schneider 2019 The Gray Market: How the Met’s Artificial Intelligence Initiative Masks the Technology’s Larger Threats (and Other Insights) Artnet News February 11 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730
Whitney 2017 An Incomplete History of Protest: Selections from the Whitney’s collection, 1940-2017 Whitney Museum USA August 18-27 2017 https://whitney.org/Exhibitions/AnIncompleteHistoryOfProtest?section=4#exhibition-artworks
J. Wolkoff 2019 The Avant-Garde Art That Was Made for TV Artsy January 23 2019 https://www.artsy.net/article/artsy-editorial-avant-gardaert-made-tv

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Comment on this article

[1] Akbild 2019 PhD in Practice. Academy of Fine Arts Vienna Austria https://www.akbild.ac.at/Portal/studium/studienrichtungen/phd-in-practice

[2] ArtForum 2019 Hundreds Protest BP Sponsorship of British Museum ArtForum News February 18 2019 https://www.artforum.com/news/hundreds-protest-bp-sponsorship-of-british-museum-78655

[3] J. P. BowenG. DiproseN. Lambert 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2017

[4] J. P. BowenT. Giannini 2014 Digitalism: The new realism? In K. NgJ. P. BowenS. McDaid EVA London 2014: Electronic Visualisation and the Arts BCS, eWiC 324 331 DOI: 10.14236/ewic/eva2014.38

[5] J. P. BowenT. GianniniG. Polmeer 2017 Coded Communication: Digital senses and aesthetics, merging art and life Bowen et al 2017 1 8 DOI: 10.14236/ewic/EVA2017.1

[6] J. P. BowenT. GianniniG. PolmeerC. GannisJ. GardinerJ. KearneyB. WandsJ. Weinel 2018 States of Begin: Art and identity in digital space and time Bowen et al 2018 1 7 DOI: 10.14236/ewic/EVA2018.1

[7] J. P. BowenJ. WeinelG. DiproseN. Lambert 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2018

[8] M. Brown 2018 British Museum shines light on Assyrian ‘king of the world’ The Guardian, UK June 19 2018 https://www.theguardian.com/culture/2018/jun/19/british-museum-shines-light-on-assyrian-king-of-the-world-ashurbanipal

[9] M. Brown 2019 British Museum chief: Taking the Parthenon marbles was ‘creative’ The Guardian, UK January 28 2019 https://www.theguardian.com/artanddesign/2019/jan/28/british-museum-chief-taking-the-parthenon-marbles-was-creative

[10] D. Cannadine 2019 ‘Audacity Is the Only Ticket’: How Winston Churchill, an Amateur Artist, Treated Painting as a Battlefield Artnet News February 18 2019 https://news.artnet.com/art-world/how-amateur-artist-winston-churchill-amateur-saw-painting-1456174

[11] S. Cascone 2018 MIT Researchers Are Using Artificial Intelligence to Make Some of the Most Convincing Reproductions of Art Ever Artnet News December 5 2018 https://news.artnet.com/art-world/artificial-intelligence-is-reproducing-art-masterpieces-1405558

[12] Q. Fottrell 2018 People spend most of their waking hours staring at screens MarketWatch August 4 2018 https://www.marketwatch.com/story/people-are-spending-most-of-their-waking-hours-staring-at-screens-2018-08-01

[13] R. Frost 1923 Stopping by Woods on a Snowy Evening https://en.wikipedia.org/wiki/Stopping_by_Woods_on_a_Snowy_Evening

[14] T. GianniniJ. P. Bowen 2016 Curating Digital Life and Culture: Art and information J. P. BowenG. DiproseN. Lambert EVA London 2016: Electronic Visualisation and the Arts BCS, eWiC 237 244 DOI: 10.14236/ewic/EVA2016.46

[15] T. GianniniJ. P. Bowen 2017 Life in Code and Digits: When Shannon met Turing Bowen et al 2017 51 58 DOI: 10.14236/ewic/EVA2017.9

[16] T. GianniniJ. P. Bowen 2018 Of Museums and Digital Culture: A landscape view Bowen et al 2018 172 179 DOI: 10.14236/ewic/EVA2018.34

[17] T. GianniniJ. P. Bowen 2019 Museums and Digital Culture: New perspectives and research Series on Cultural Computing Springer

[18] C. Goldstein 2019 ‘It’s Time, Guggenheim’: Nan Goldin Launches a Surprise Demonstration at the Guggenheim Museum to Protest Its Sackler Funding Artnet News February 9 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730

[19] G. Harris 2019 Exploitation and injustice’: London gallery show protests BP sponsorship at British Museum The Art Newspaper February 1 2019 https://www.theartnewspaper.com/news/bp-p21

[20] R. Hell 2018 Downtown Legend Richard Hell Interviews Nan Goldin About Art, Opioids, and the Sadness of Life on the Fringes Artnet News November 8 2018 https://news.artnet.com/art-world/nan-goldin-richard-hell-interview-1387933

[21] A. KaunJ. Uldam 2017 Digital activism: After the hype. New Media & Society September 19 2017 DOI: 10.1177/1461444817731924

[22] I. Kaplin 2018 Labour leader Jeremy Corbyn would return the Elgin Marbles to Greece if elected Prime Minister Artsy June 4 2018 https://www.artsy.net/news/artsy-editorial-labour-leader-jeremy-corbyn-return-elgin-marbles-greece-elected-prime-minister

[23] N. Kenny 2019 Met unveils its AI experiment with Microsoft and MIT – Teams produce five digital prototypes for acquainting people with images of museum objects online The Art Newspaper February 5 2019 https://www.theartnewspaper.com/news/met-unveils-its-ai-experiment-with-microsoft-and-mit

[24] E. Kinsella 2018 London’s National Gallery (Finally) Buys a Painting by Artemisia Gentileschi, Pioneering Female Artist of the Italian Renaissance Artnet July 6 2018 https://news.artnet.com/market/national-portrait-gallery-shells-record-4-million-artemesia-gentileschi-self-portrait-1314446

[25] J. Pes 2018 The National Gallery’s New Artemisia Gentileschi Should Be a Triumph—But Clouds Are Forming Over Its Ownership During WWII Artnet News December 12 2018 https://news.artnet.com/exhibitions/national-gallery-artemisia-gentileschi-provenance-1417675

[26] N. Rea 2018 Has Artificial Intelligence Brought Us the Next Great Art Movement? Here Are 9 Pioneering Artists Who Are Exploring AI’s Creative Potential Artnet News November 6 2018 https://news.artnet.com/market/9-artists-artificial-intelligence-1384207

[27] N. Rea 2019 The British Museum Says It Will Never Return the Elgin Marbles, Defending Their Removal as a ‘Creative Act’ Artnet News January 28 2019 https://news.artnet.com/art-world/british-museum-wont-return-elgin-marbles-1449919

[28] T. Schneider 2019 The Gray Market: How the Met’s Artificial Intelligence Initiative Masks the Technology’s Larger Threats (and Other Insights) Artnet News February 11 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730

[29] Whitney 2017 An Incomplete History of Protest: Selections from the Whitney’s collection, 1940-2017 Whitney Museum USA August 18-27 2017 https://whitney.org/Exhibitions/AnIncompleteHistoryOfProtest?section=4#exhibition-artworks

[30] J. Wolkoff 2019 The Avant-Garde Art That Was Made for TV Artsy January 23 2019 https://www.artsy.net/article/artsy-editorial-avant-gardaert-made-tv

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Art and Activism at Museums in a Post-digital World

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