Physicalizing Time Through Orientational Metaphors for Generating Rhythmic Gestures

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Physicalizing Time Through Orientational Metaphors for Generating Rhythmic Gestures

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Author(s): Greg Corness , Kristin Carlson

Publication date (Print): July 2018

Conference name: Electronic Visualisation and the Arts (EVA)

Conference theme: Electronic Visualisation and the Arts

Conference date: 9 - 13 July 2018

Keywords: Interactive performance, Generating rhythmic gestures, Dance and music interaction

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Abstract

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Author and article information

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Greg Corness

Kristin Carlson

Conference

Publication date: July 2018

Publication date (Print): July 2018

Pages: 280-286

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[0001]Columbia College Chicago

Chicago, IL, USA

[0002]Illinois State University

Bloomington, IL, USA

Article

DOI: 10.14236/ewic/EVA2018.54

SO-VID: e8024da7-a27f-46ab-9a3c-f28825102e17

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts

Conference acronym: EVA

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Conference location: London, UK

Conference date: 9 - 13 July 2018

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2018.54

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

S. Adams 1997 Poetic Designs: An Introduction to Meters, Verse Forms, and Figures of Speech Broadview Press
M. Babbitt 1962 Twelve-Tone Rhythmic Structure and the Electronic Medium Perspectives of New Music 1 1:30
A. BogartT. Landau 2004 The Viewpoints Book: A Practical Guide to Viewpoints and Composition Theatre Communications Group
K. K. Bradley 2008 Rudolf Laban. Routledge
G. Corness 2013 Breath as an Embodied Connection for Performer-System Collaborative Improvisation (PhD Dissertation) Simon Fraser University, Canada
A. Elmsley (né Lambert)T. WeydeN. Armstrong 2017 Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks Journal of Creative Music Systems 1 2
A. ForteS. Gilbert 1982 Introduction to Schenkerian analysis W. W. Norton & Company
L. Hartley 1989 Wisdom of the Body Moving: An Introduction to Body-mind Centering North Atlantic Books
M. H'Doubler 1940 Dance: A Creative Art Experience The University of Wisconsin Press
M. Johnson 1990 The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason University of Chicago Press
G. LakoffM. Johnson 1999 Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought Basic Books
F. LerdahlR. Jackendoff 1983 A Generative Theory of Tonal Music MIT Press
C. PalmerC. Krumhansl 1990 Mental Representations for Musical Meter Journal of Experimental Psychology: Human Perception and Performance 16 4
K. StuddL. L. Cox 2013 Everybody is a body Indianapolis, IN Dog Ear Publishing

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[1] S. Adams 1997 Poetic Designs: An Introduction to Meters, Verse Forms, and Figures of Speech Broadview Press

[2] M. Babbitt 1962 Twelve-Tone Rhythmic Structure and the Electronic Medium Perspectives of New Music 1 1:30

[3] A. BogartT. Landau 2004 The Viewpoints Book: A Practical Guide to Viewpoints and Composition Theatre Communications Group

[4] K. K. Bradley 2008 Rudolf Laban. Routledge

[5] G. Corness 2013 Breath as an Embodied Connection for Performer-System Collaborative Improvisation (PhD Dissertation) Simon Fraser University, Canada

[6] A. Elmsley (né Lambert)T. WeydeN. Armstrong 2017 Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks Journal of Creative Music Systems 1 2

[7] A. ForteS. Gilbert 1982 Introduction to Schenkerian analysis W. W. Norton & Company

[8] L. Hartley 1989 Wisdom of the Body Moving: An Introduction to Body-mind Centering North Atlantic Books

[9] M. H'Doubler 1940 Dance: A Creative Art Experience The University of Wisconsin Press

[10] M. Johnson 1990 The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason University of Chicago Press

[11] G. LakoffM. Johnson 1999 Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought Basic Books

[12] F. LerdahlR. Jackendoff 1983 A Generative Theory of Tonal Music MIT Press

[13] C. PalmerC. Krumhansl 1990 Mental Representations for Musical Meter Journal of Experimental Psychology: Human Perception and Performance 16 4

[14] K. StuddL. L. Cox 2013 Everybody is a body Indianapolis, IN Dog Ear Publishing

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Physicalizing Time Through Orientational Metaphors for Generating Rhythmic Gestures

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