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      The Errant Space – The Reshaping of Place through the Visualisation of Ambient Environmental Audio

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      Publication date (Print):
      Conference name: Electronic Visualisation and the Arts (EVA 2017) (EVA)
      Conference theme: Electronic Visualisation and the Arts
      Conference date: 11 – 13 July 2017
      Keywords: Pattern recognition, Randomness, Presence and absence, Digital uncanny, New media
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            Abstract

            Content

            Author and article information

            Contributors
            Alan Dunning
            Conference
            Publication date: July 2017
            Publication date (Print): July 2017
            Pages: 116-120
            Affiliations
            [0001]University of Calgary

            2500 University Dr. NW, Calgary, AB T

            Canada
            Article
            DOI: 10.14236/ewic/EVA2017.28
            SO-VID: 348c2718-22e6-4f88-b888-3e859c1b8668
            Copyright © © Dunning. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2017, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Electronic Visualisation and the Arts (EVA 2017)
            Conference acronym: EVA
            Conference number:
            Conference location: London, UK
            Conference date: 11 – 13 July 2017
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.28
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Keywords: Pattern recognition,Digital uncanny,Randomness,New media,Presence and absence

            6. REFERENCES

            1. 1966 Blow-Up Chapel Films London

            2. 1994 Descartes Error. Avon Books New York

            3. 2005 Blowup Senses of Cinema January Cinémathèque Annotations on Film, # 34 http://sensesofcinema.com/contents/cteq/05/34/blowup.html 1 May 2017

            4. 2009 The Split Brain Revisited Scientific American July 29

            5. 2004 Anatomy of a Murder: Bazin, Barthes, Blow-Up Film Journal 9

            6. 1992 Discourse and Language Education. Cambridge University Press Cambridge

            7. 2012 In Praise of Nonsense: Aesthetics, Uncertainty, and Postmodern Identity McGill-Queen’s University Press (MQUP) Montreal, Canada

            8. 1972 The Stone Tape. Producer: Director: Produced on BBC Television 25 December

            9. 2006 Theory of Film: The Redemption of Physical Reality. Oxford University Press Oxford

            10. 2003 A Homeless Concept. Shapes of the Uncanny in Twentieth-Century Theory and Culture, Image and Narrative. http://www.imageandnarrative.be/inarchive/uncanny/anneleenmasschelein.htm December 2016

            11. et al 2000 The Left Hemisphere’s Role in Hypothesis Formation Journal of Neuroscience 20 RC64 1 4 Washington

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