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      Divesting Control to the Machine in Digital Art

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      proceedings-article
      Author(s):
      Publication date (Print):
      Conference name: Electronic Visualisation and the Arts (EVA 2017) (EVA)
      Conference theme: Electronic Visualisation and the Arts
      Conference date: 11 – 13 July 2017
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            Abstract

            Content

            Author and article information

            Contributors
            Fabio Morreale
            Conference
            Publication date: July 2017
            Publication date (Print): July 2017
            Pages: 84-85
            Affiliations
            [0001]Center for Digital Music

            Queen Mary University of London, UK
            Article
            DOI: 10.14236/ewic/EVA2017.16
            SO-VID: 79bc7786-6967-42ed-a81a-ad0e3a41445b
            Copyright © © Morreale. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2017, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Electronic Visualisation and the Arts (EVA 2017)
            Conference acronym: EVA
            Conference number:
            Conference location: London, UK
            Conference date: 11 – 13 July 2017
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.16
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            3. REFERENCES

            1. 2004 The Creative Mind: Myths and mechanisms. Psychology Press

            2. 2016 Beatfield: An OpenMeaning Audiovisual Exploration COOP 2016 309 314 Springer International Publishing

            3. 2016 Renegotiating Responsibilities in Human-Computer Ensembles Proc. Colloquio di Informatica Musicale Cagliari, Italy 28 September 1 October

            4. 2016 Collaborating with an Autonomous Agent to Generate Affective Music Computers in Entertainment (CIE) 14 3 5

            5. 1985 An image synthesizer ACM Siggraph Computer Graphics 19 3 287 296

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