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      Spectacles of Settler Colonial Memory: Archaeological Findings from an Early Twentieth-Century “First” Settlement Pageant and Other Commemorative Terrain in New England

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          Abstract

          In 1923, rural New England mill town Dover, New Hampshire, staged a Tercentenary pageant of extraordinary proportions to celebrate its “first” settlement. This public spectacle memorialized a specific, and deeply exclusionary, narrative of English settler colonialism, shaped by social anxieties of the post-First World War United States. Recent archaeological research has found possible remnants from this spectacle on a seventeenth-century site. In disturbing this site, the Tercentenary pageant appears to have disregarded actual significant material traces from the very era it aimed to memorialize--traces that offer distinct, fuller understandings of deeply nuanced Native-settler interactions in the Piscataqua River region. Dover’s pageant is situated in a regional analysis of Native and Euro-colonial commemorative place-making of the early twentieth century, exploring how different communities pursued multivocal, monovocal, or other approaches in their performative engagements with the seventeenth century.

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          Silencing the Past: Power in the Production of History

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            The Anthropology of Theater and Spectacle

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              An observational and theoretical framework for interpreting the landscape palimpsest through airborne LiDAR

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                Author and article information

                Contributors
                meghan.howey@unh.edu
                cd10@williams.edu
                Journal
                Int J Hist Archaeol
                Int J Hist Archaeol
                International Journal of Historical Archaeology
                Springer US (New York )
                1092-7697
                1573-7748
                1 January 2022
                1 January 2022
                : 1-34
                Affiliations
                [1 ]GRID grid.167436.1, ISNI 0000 0001 2192 7145, Anthropology Department, , University of New Hampshire, ; 73 Main Street, Durham, NH 03824 USA
                [2 ]GRID grid.167436.1, ISNI 0000 0001 2192 7145, Earth Systems Research Center, Institute for the Study of Earth, Oceans and Space, , University of New Hampshire, ; Morse Hall, Durham, NH 03824 USA
                [3 ]GRID grid.268275.c, ISNI 0000 0001 2284 9898, History Department, , Williams College, ; Hollander Hall, Williamstown, MA 01267 USA
                Author information
                http://orcid.org/0000-0002-3272-2767
                Article
                635
                10.1007/s10761-021-00635-2
                8720164
                f11ecca3-a5e0-4171-ad98-b72fa368cf95
                © The Author(s) 2021

                Open AccessThis article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.

                History
                : 4 October 2021
                Funding
                Funded by: FundRef http://dx.doi.org/10.13039/100000308, Carnegie Corporation of New York;
                Funded by: Hayes Humanities Chair, UNH Center for the Humanities
                Categories
                Article

                memory,settler colonialism,spectacle,new england,replicas
                memory, settler colonialism, spectacle, new england, replicas

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