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      Desde las vanguardias al arte contemporáneo latinoamericano:la comida como elementotransformador. Translated title: From the avant-garde to latin american art: food as a transformative element.

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          Abstract

          RESUMEN Más allá de las naturalezas muertas de Picasso, donde las frutas son representadas reposando sobre una canasta, el arte contemporáneo, explora la cualidad indudablemente transformadora de los alimentos. El comer, cocinar y saborear son lenguajes que expresan valores políticos, sociales, íntimos e históricos. Este ensayo analiza de qué manera, desde las vanguardias artísticas europeas al arte contemporáneo latinoamericano, la comida ha sido una herramienta subversiva para romper con el lenguaje normativo de la producción cultural. Desde movimientos como el Dadaísmo, el Surrealismo, el Futurismo y la Antropofagia, hasta las nuevas vanguardias como Fluxus y EatArt, las narrativas comestibles se han utilizado como herramientas transformadoras del pensamiento. Asimismo, artistas latinoamericanos contemporáneos sirven banquetes, preparan helados y ofrecen caramelos para investigar los espacios de tensión entre lo íntimo y lo político, lo público y lo privado, el arte y la vida.

          Translated abstract

          ABSTRACT Beyond Picasso's still lifes, where fruits are represented resting on a basket, food as a metaphorical tool in contemporary art has an undeniable transformative quality. Eating, cooking and tasting are languages that express political, social, intimate and historical values. This essay analyzes how, from the European artistic avant-garde to Latin American Contemporary Art, food has been a subversive tool to break the normative language of cultural production. From movements such as Dadaism, Surrealism, Futurism and Anthropophagy, to the new avant-gardes of Fluxus and EatArt, edible narratives have been used as transformative tools of thought. Likewise, contemporary Latin American artists serve banquets, prepare ice cream, and offer candies to investigate the spaces of tension between the intimate and the political, the private and the public, and art and life.

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          Most cited references17

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          Manifesto antropófago

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            Note 6 sur l’artnègre. Sic

            T Tzara (1917)
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              Corners and Crossroads

              G Brett (2008)
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                Author and article information

                Journal
                indexpuce
                Índex, revista de arte contemporáneo
                Índex
                Pontificia Universidad Católica del Ecuador (Quito, Pichincha, Ecuador )
                1390-4825
                2477-9199
                December 2020
                : 9
                : 60-66
                Affiliations
                [1] orgnameUniversity of Arts, Design and Architecture
                Article
                S2477-91992020000200060 S2477-9199(20)00000900060
                10.26807/cav.v0i09.330
                e3de1f25-5a12-4fb1-82c3-33cd001eef25

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

                History
                : 15 March 2020
                : 30 April 2020
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 17, Pages: 7
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                Avant-Garde,Anthropophagy,Latin American Contemporary Art,Culinary Arts,Filosofía del Arte,Semiótica,Vanguardias,Antropofagia,Gastronomía,Arte Contemporáneo,Latinoamericano,Philosophy of Art,Semiotics

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