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      CINEMA AND THE ARTS: Reassessing Theodor Adorno’s Late Work Translated title: O cinema e as artes: reavaliando a obra tardia de Theodor Adorno

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          Abstract

          ABSTRACT This paper starts from a revision of Adorno’s late work, in particular his remarks on cinema, published in the 1960s. Our hypothesis is that cinema acquires relevance in Adorno’s late work not only through a shift in his position regarding that medium itself, but rather due to a broader transformation in his aesthetic position, encompassing a distinct view on the procedures of modern art and the complex relations between the different artistic genres.

          Translated abstract

          RESUMO Este artigo parte de um movimento de revisão da obra tardia de Adorno, em especial de suas considerações sobre o cinema, publicadas nos anos 1960. A hipótese é a de que o cinema adquire relevância na obra tardia de Adorno não só pela mudança na posição do autor quanto a esse meio, mas também em virtude de uma transformação em sua posição estética, abrangendo uma visão distinta sobre as práticas da arte moderna e as relações entre os gêneros artísticos.

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          Transparencies on Film

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            New German Cinema: A History

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              Theodor W. Adorno

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                Author and article information

                Journal
                s_nec
                Novos Estudos - CEBRAP
                Novos estud. - CEBRAP
                Editora Brasileira de Ciências Ltda (São Paulo, SP, Brazil )
                0101-3300
                August 2022
                : 41
                : 2
                : 353-369
                Affiliations
                [1] Natal Rio Grande do Norte orgnameUniversidade Federal do Rio Grande do Norte Brazil raquel.patriota@ 123456gmail.com
                Article
                S0101-33002022000200353 S0101-3300(22)04100200353
                10.25091/s01013300202200020009
                afd36988-f8fc-427e-bc7d-552030bc2fb3

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

                History
                : 04 March 2022
                : 30 September 2021
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 27, Pages: 17
                Product

                SciELO Brazil

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                Articles

                Theodor W. Adorno,estética,Teoria Crítica,cinema,arte moderna,aesthetics,Critical Theory,modern art

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