Resumo Neste artigo, partimos de um momento representativo da história austríaca, no final dos anos 1950, marcado por alguns desenvolvimentos no plano da vida social que buscavam parceria e harmonia, sem lidar com seu passado em relação ao nazismo. Contra essa situação se insurgem alguns autores fundamentais para a literatura austríaca, buscando formalizações estéticas que efetivam uma localização histórica crítica, que deve muito à perspectiva do materialista histórico benjaminiano. O recorte desse artigo recai sobre duas obras: o conto Unter Mördern und Irren (escrito em 1956-7, publicado em 1961), de Ingeborg Bachmann e o romance Auslöschung (1986), de Thomas Bernhard.
Abstract The background of this study is the end of the 1950s, a representative moment in Austrian history, which was characterized by some developments in social life. These developments searched for partnership and harmony, without dealing with the country’s past in relation to Nazism. Against this situation, some important writers of Austrian literature appear and are guided by aesthetic formalizations that promote a critical historic setting, mainly due to Benjamin’s historical-materialist approach. The aim of this paper is to analyze two literary texts: the short story Unter Mördern und Irren (written in 1956-7, published in 1961), by Ingeborg Bachmann and the novel Auslöschung (1986), by Thomas Bernhard.
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